My Professional Philosophy Essay Example

My Professional Philosophy Essay Example My Professional Philosophy Essay My Professional Philosophy Essay My Professional Philosophy Motivation is the driving force behind every task that we embark on and my inspiration to pursue this discipline has been propelled by its physiological and emotional benefits to me and the people that I cater to. The ability to help people live better lives in itself is a massive drive, as this knowledge will have a positive impact on my own life as well. Kinesiology results in more energy, greater understanding of oneself, more choices, acceptance, understanding, solution orientation, functioning ability and most importantly improved quality of life. What motivates me is seeing clients achieve physical outcomes that they thought were unattainable and to educate and inspire people in order for them to thrive and not just survive. It is about longevity and vitality. The outcomes of my emphasis as a career are diverse. This scientific knowledge of muscle function and the nervous system could lead in careers in fitness facilities, personal training or corporate wellness facilities and industry. You can work with individuals in their homes, fitness facilities, rehabilitation clinics, at the worksite and alongside physiotherapists. Trainers would be the first to agree that the relationship and rapport built with a trainee is of core importance. I have to develop the social support system necessary for the client to feel secure with the treatment and service provided and by treating all with dignity and respect, providing emotional support, and considering each individual’s perspective. These are just a few of the strategies to increase satisfaction. By simply enhancing my own listening and communication skills, the trainee automatically perceives their trainer as willing to listen to them and interested in their concerns and may demonstrate a higher level of satisfaction, which can only improve the working relationship and end result. Among other things, acquiring greater knowledge of exercise physiology, anatomy, exercise instruction through experience foremost is one of my goals. I want to have a strong ability to instruct by example and an in depth ability to instruct and demonstrate a remarkable knowledge of fitness assessment procedures and maintain an effective working relationship with other employees and the public. Through hard work, knowledge and determination, I will increase my client base undoubtedly. Moral values have to come hand-in-hand with professionalism. Some of the values that I have developed over time include ambition, competency, equality, integrity, service, responsibility, accuracy, respect, dedication, diversity, improvement, loyalty, credibility, honesty, innovativeness, teamwork and excellence. Others are accountability, empowerment, quality, efficiency, dignity, collaboration, empathy, accomplishment, courage, wisdom, independence, security, challenge, influence, learning, compassion, friendliness, discipline, generosity, persistency, optimism, dependability and flexibility. You have to demonstrate and model your values in action, in personal and work behaviors, decision-making, contribution, and interpersonal interaction. This same values help in making decisions about priorities in your daily work and life. Ethics on the other hand are what truly define us because they are not portrayed to the outside world as compared to values. My religious beliefs in creation and the creator, upholding the law at all times and keeping up with the standards of behavior acceptable in society guide me through my life. In addition, respecting rights of people such as the right to life and the right to privacy is another code of ethics that I follow. Such standards are adequate standards of ethics because they are supported by consistent and well-founded reasons.

Monologues From Molières Famous Theatrical Comedy

Monologues From Molià ¨re's Famous Theatrical Comedy Tartuffe translates to The Imposter or The Hypocrite. The play was performed for the first time in 1664 and features popular characters like Tartuffe, Elmire, Orgon, and Dorine. Tartuffe is written in twelve-syllable lines called alexandrines. The plot focuses on Orgons family dealing with the pious fraud Tartuffe as he pretends to talk with religious power, fool the family with random antics, and even seduce women in the household. The Characters in Tartuffe While Orgon is the head of the house and husband of Elmire, he is unfortunately blindsided with desire for Tartuffe, who is but a houseguest of Orgon and a hypocritical fraud. Tartuffe meddles with seduction and romantic agendas with members in the home. Orgons wife, Elmire, is one of Tartuffe’s prospects, and she is also the stepmother to Damis and Mariane. Luckily, Dorine is the family housemaid who tries to get to the bottom of Tartuffes fake personality to help the other characters. A Focus on the Housemaid, Dorine Dorine is the sassy, sensible, witty, and wise servant in the household that is the focus of Moliere’s Tartuffe. Her servant status makes her an inferior, but she courageously expresses her opinions to her superiors, who are actually her intellectual inferiors. For young females in search of a classical monologue, Tartuffe’s cheeky and clever Dorine has quite a few worth examining. The beginning and ending lines of eight monologues involving Dorine are listed below, along with a brief explanation of the content of each speech.  These monologues come from  Moliere’s Tartuffe, translated into English verse by Richard Wilbur, an extraordinarily understandable translation of the French comedy. Act I, Scene 1: First Monologue The scene begins with: â€Å"If there is talk against us, I know the source / It’s Daphne and her little husband, of course.† Dorine expresses disdain for how people who behave badly seem to be the first to smear the reputations of others. She speculates that their delight in spreading the word of the transgressions of others springs from their belief that their own guilty deeds are less obvious when those of others are emphasized. The scene has 14 lines. The scene ends with: â€Å"Or that their own black guilt will come to seem / Part of a general shady colour-scheme. Act I, Scene 1: Second Monologue The scene begins with: â€Å"Oh yes, she’s strict, devout, and has no taint / Of worldliness; in short, she seems a saint.† Dorine dismisses the criticisms of her lifestyle by a woman who is no longer young and beautiful. She attributes this woman’s prudish perspective to jealousy of looks and actions that she is no longer privy to. The scene has 20 lines. The scene ends with: â€Å"And cannot bear to see another know / That pleasures time has forced them to forgo.† Act I, Scene 2: First Monologue The scene begins with: â€Å"Yes, but her son is even worse deceived / His folly must be seen to be believed.† Dorine expounds on ruse after ruse that Tartuffe has used to fool the master of the house Orgon. The scene has 32 lines and ends with: â€Å"He said it was a sin to juxtapose / Unholy vanities and holy prose.† Act II, Scene 2: Second Monologue The scene begins with: â€Å"Yes, so he tells us; and Sir, it seems to me / Such pride goes very ill with piety.† Dorine tries to convince Orgon that he should not impose marriage to Tartuffe upon his daughter. The scene has 23 lines and ends with: â€Å"Think, Sir, before you play so risky a role.† Act II, Scene 3: First Monologue The scene begins with: â€Å"No, I ask nothing of you. Clearly, you want / To be Madame Tartuffe, and I feel bound / Not to oppose a wish so very sound.† Dorine sarcastically endorses Tartuffe as a brilliant catch of a bridegroom for Marianne. The scene has 13 lines and ends with: â€Å"His ears are red, he has a pink complexion / And all in all, he’ll suit you to perfection.† Act II, Scene 3: Second Monologue The scene begins with: â€Å"Ah no, a dutiful daughter must obey / Her father, even if he weds her to an ape.† Dorine tortures Marianne with a predictive description of her life as Tartuffe’s wife. The scene has 13 lines and ends with: â€Å"To the drone of bagpipes- two of them, in fact, / And see a puppet show or an animal act.† Act II, Scene 4 The scene begins with: â€Å"We’ll use all manner of means, and all at once. / Your father’s addled; he’s acting like a dunce.† Dorine explains to Mariane and her betrothed ways to delay and ultimately avoid marriage to Tartuffe. The scene has 20 lines and ends with: â€Å"Meanwhile we’ll stir her brother into action / And get Elmire, as well, to join our faction.† Act III, Scene 1 The scene begins with: â€Å"Do calm down and be practical. I had rather / My mistress dealt with him- and with your father.† Dorine convinces Mariane’s brother Damis to abort his plan for exposing Tartuffe and follow hers. The scene has 14 lines and ends with: â€Å"Says that he’s almost finished with his prayers. / Go, now. I’ll catch him when he comes downstairs.† Resources A video of the complete stage play using the Richard Wilbur translation  is available.Read more about Jean Baptiste Poquelin who took the stage name Moliere.